University of East Anglia
Theatre Directing: Text and Production (MA)
Norwich Research Park
Theatre Directing: Text and Production (MA)
Text-based directing, and performance based theory The MA in Theatre directing at the University of East Anglia is one of the longest established in the country. Following the Gulbenkian Report on director training of 1989 it was founded by Tony Gash, a Shakespearean scholar who had studied at Oxford and taught at the Royal Academy of Dramatic Art. It was made possible by the building of a newly designed Studio Theatre at the University, which was opened by Harold Pinter in 1993. One of the founding principles of the MA ever since has been to establish a firm connection between the academic or critical study of dramatic texts and the director’s working with actors. We do this by, on the one hand, refusing to separate theatrical theory or literary reading from performance (the texts are scripts) and, on the other, by refusing to separate ‘performance art’ or ‘physical’ theatre from working in detail with texts, verse and language. We do not isolate theory from practice, but, often working in the Studio, search continually for the points of intersection between the verbal, emotional and the physical, both practically, and via the two concepts of speech acts and scenic structure. To this end the MA directing students start by regularly rehearsing student actors on scenes of their own choosing which are then re-worked by their instructors in such a way as bring out an alternative aspect of the scene. In a supporting class they learn how to apply a variety of directing methods , many of which are commonly used in professional directing and actor training - e.g. Stanislavskian objectives, Laban’s effort anaylsis, Lecoq’s levels of tension., Keith Johnstone’s status, Meisner’s interactivity, but now, in the University context, also subjected to philosophical and historical scrutiny. This is where ‘speech acts’ the common theme of philosophy, literary criticism, linguistics and the great directors Stanislavski and Brecht come in; as does the recurrent rivalry between the claims of truth and those of form. By seeking out the foundational questions which underlie modern theories of the theatre, we are also able to see how great playwrights, like Shakespeare, are already implicit theorists and directors before those terms were used. Interdisciplinarity One of the strong appeals of the 'MA Theatre Directing: Text and Production' at the University Of East Anglia is its place within the School of Literature, Drama and Creative Writing. It has been usual for individual MA directing students to study alongside graduate scriptwriting students in some units available to both, such as Adaptation and Interpretation or Scriptwriting: Dramaturgy, and sometimes to direct their work in rehearsed readings or performances. But equally important is the possibility of working with critics who specialize in cultural history and dramatic criticism, such as Peter Womack, Professor of Literature and Drama, who offers a unit in The Actor in Space, which is of great value to any director working with a designer. Just as important for any modern director is a consideration of the influence of globalization, immigration, and ‘interculturalism’ on modern theatre throughout the world. This is the emphasis of an optional unit on Contemporary World Theatre, which also gives an opportunity to the Theatre Directing students to meet Theatre and Development graduates registered in the adjoining School of Development.Studies. In their search for new theatrical possibilities, Theatre Directing students are also able to draw on the British Centre for Literary Translation. All these explorations of so-called ‘interdisciplinarity’ are not so much journeys outward from one subject to another as inwards to the heart of the theatrical art-form where many modes which are academically separated, such as the sociological and the aesthetic, or literary and plastic arts are here experienced in their unity. For this reason too we like to consider applicants from a range of disciplines or professions. Individual development and practical research Personnel The course is still led and taught by its founder Tony Gash. In 2008-9 he was joined by Dr. Holly Maples, who was trained in acting at the Central School of speech and Drama, and has a Ph.D. from Trinity College, Dublin, for her research into the Abbey Theatre. She is now a full time lecturer at UEA and directs professionally. Other professional directors and designers visit regularly, including some who have themselves studied at UEA. In the Summer of 2009 two ex-UEA students directed at the Globe Theatre, and in May, the Drama programmes at UEA were listed in the Guardian league table as the best in the country. In the same year both Sam West and Richard Eyre lectured here on their personal conceptions of directing.
Accreditation:The School of Literature, Drama and Creative Writing at the University of East Anglia has a long-established international reputation in literary studies. World famous for our pioneering courses in creative writing, we are also home to prize-winning scholars and translators of literature and drama from all periods.
Facts & Figures
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